She has come a long way from her days as a Little Black Dress-clad Spice Girl.
Now
Victoria Beckham has made the transition to globally respected fashion
designer, silencing her critics by launching a hugely successful brand
loved by A-listers and fashion editors alike.
The
mother-of-four unveiled her AW15 collection at New York Fashion Week on
Sunday to a stellar front row, including husband David and their sons
Brooklyn, 15, Romeo, 12, Cruz, nine, and daughter Harper, three, sitting
alongside Vogue editor-in-chief Anna Wintour, and stylist Rachel Zoe.
British designer Victoria Beckham unveiled her AW15 collection in New York on Sunday to critical acclaim
Victoria's family (L-R) Romeo, Brooklyn, Cruz , David and Harper sat by Anna Wintour on the frow
Shunning
the trend for overexposure, currently championed by the likes of Kim
Kardashian, Miley Cyrus and Miranda Kerr, Victoria's range was a much
more modest affair.
Her
designs were full of cream midi skirts, voluminous knits and
calf-scraping culottes - proving that more really is more - in a
sophisticated neutral palette of cream, taupe, black and navy.
Following
her footwear debut last season, Mrs Beckham designed the shoes too,
with calf-length boots in black and beige featuring a substantial heel.
The entire collection went down a storm with Vogue's most esteemed fashion editors.
Victoria's
chunky knits and midi skirt ensembles that barely revealed an inch of
flesh have been hailed as 'the new kind of sexy'
Shunning the trend for overexposure
loved on all the red carpets, Victoria's sophisticated and feminine
collection still won plaudits
Whatever
fashion people say about 'Team VB' doing all the work, I believe that
the foundation and flow of this collection could have come only from her
- Suzy Menkes
Last
year, the fashion bible hinted that Victoria's collection was
reminiscent of the stuff they had seen on the Celine runway before and
commented that they'd like to see a 'bit more of her' in her designs.
It
seems she took note. With a new direction, 40-year-old Victoria's
stand-out designs, which are clearly based on her own wardrobe, winning
her plaudits.
'This was a sexy and sophisticated take that put shape at its centre for soft and womanly silhouettes,' wrote Vogue's Jessica Bumpus.
Legendary
Vogue International Editor, Suzy Menkes OBE, added: 'Bringing back sexy
- a slither of flesh at the waist or a jigsaw of fabrics forming five
shades of black - was only a sidebar to the main story: Victoria Beckham
has made it as a designer.
'I can’t think of another celebrity who has been willing and able to create a unique style.'
In
her show notes, Mrs Beckham explained 'it is not about one theme - but
instead thinking about what women really want to wear and how they want
their clothes to make them feel.'
The
creative process for this collection was an altogether different style.
Mrs Beckham explains how she decided to start with her classic designs
and re-imagine them for a new season.
Mrs Beckham
explained that she had been thinking about what women really want to
wear and how they want their clothes to make them feel
'I
began with the dress and looked at evolving and translating it,' she
wrote. 'It was from here that the collection and its narrative developed
and it has been liberating and surprising for me in terms of the
creative process.
'Familiar
shapes have been deconstructed and reworked. Volumes have been
subverted, menswear elements re-engineered to fit the female form and
twists, spirals, seams and asymmetry interplayed. Fabrics bounce and
move, a swing is sculptural, and a more body conscious silhouette
emerges...
'For me it is a collection full of possibilities.'
Commenting
on her range, The Telegraph's Ellie Pithers wrote: 'Equally successful
were the mannish double-breasted navy cocoon coats with neat horn
buttons; the herringbone coat with a bustle at the hip; the chunky cream
and navy sweaters with ballooning sleeves; and the skirt made out of
cream velvet bows - VB's answer to the "modern day red carpet" conundrum
when worn with a simple chenille sweater.
'Familiar shapes have been
deconstructed and reworked', explained Victoria. 'Fabrics bounce and
move, a swing is sculptural, and a more body conscious silhouette
emerges'
Victoria Beckham seemed to have the frosty weather in mind with this collection, with patent boots and luxurious coats
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